Oblivion Sonnet is a multi-sensory stage work that intertwines sound structures with the movement of bodies sculpting together within space and time. Body, object, and sound coexist without hierarchy, sharing a single habitat and functioning as gears in a mechanized stage.

In this environment, a musical-mythological universe takes shape, where time itself decelerates—as if on another planet—slowing to the edge of stillness until the body seems to transform into a statue, and a single moment stretches into eternity. Guided by principles of physics, the piece explores the resonance between presence and absence, as each reverberation expands and dissolves, balancing between the lasting pull of eternity and the fleeting nature of existence.

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Credits
Created by Gal Amoyal

Performers and Creative Partners: Achinoam Mendelson, Amit Dagim,
Dori Cohen-Forster, Daniella Ljungsberg and Gal Amoyal.
Past Contributors: Meshi Olinky, Yael Weiss, Lior Daniel, and Noa Itzhaki.
Production: Shira Sendik
Original Music and Sound: Gal Amoyal, Amit Dagim, Daniella Ljungsberg,
and Achinoam Mendelson
Artistic Accompaniment: Lior Pinsky
Lighting Design: Netanel Kafka
Video Mapping: Yuval Steinberg
Stage Design, Instruments Planning & Construction: Gal Amoyal
Technical Assistance: Ihab Froukh, Gidon Levy, and Martin Kantor
Photos: Amit Mann

The piece was developed at The School of Visual Theater and premiered at Performance Conference #9 (2021) in Jerusalem under the artistic direction of
Maya Levy and Ana Wild.